| Expose Thyself to What Wretches Feel': The Figure of Bare Life in King Lear and Timon of Athens J Tink Shakespeare Studies 43, 37-61, 2005 | 5 | 2005 |
| The Pieties of the Death Sentence in Kazuo Ishiguro’s Never Let Me Go J Tink Parallax 22 (1), 22-36, 2016 | 3 | 2016 |
| Horrible Imaginings: Jan Kott, the Grotesque, and “Macbeth, Macbeth” J Tink Multicultural Shakespeare: Translation, Appropriation and Performance 24 (1 …, 2021 | 2 | 2021 |
| The Transformation of Identity in Contemporary Japanese Fiction: Tokyo Performance Roger Pulvers Red Circle, London, 2018, pb, 58pp, ISBN 9781912864027,£ 7.50 www … S Dodd, E Gramich, N Bradley, C Ames, N Bachem, RH Buchanan, J Tink, ... Wasafiri 35 (2), 87-104, 2020 | 1 | 2020 |
| Translating Transcendence: RH Blyth, Zen and English Poetry J Tink 東北大学文学研究科研究年報 64, 200-188, 2015 | 1 | 2015 |
| “Knock, knock, knock, who’s there:” Hospitality and the Gothic in Macbeth J TINK 文化 87 (1, 2), 1-11, 2023 | | 2023 |
| The" Sense of Triumph": Reading Kazuo Ishiguro and the Idea of the World. J TINK 文化 85 (3, 4), 1-14, 2022 | | 2022 |
| Timon of Athens in the Downturn J Tink Shakespeare and Money, 97-108, 2020 | | 2020 |
| Where the Wild Ladies Are J Tink WASAFIRI 35 (2), 97-98, 2020 | | 2020 |
| What is Intercultural Feeling? On Reading Kazuo Ishiguro’s The Remains of the Day J TINK 文化 83 (1, 2), 111-120, 2019 | | 2019 |
| Approaching Apocalypse J Tink Seeing Animals after Derrida, 227, 2017 | | 2017 |
| The Perception of Ariel: Understanding Labour in The Tempest J TINK 東北大学文学研究科研究年報 65, 196-186, 2016 | | 2016 |
| Staging Timon of Athens in the Downturn J Tink Shakespeare Review 50 (5), 955-970, 2014 | | 2014 |
| Translating Transcendence: RH Blyth, Zen and English Poetry T James 東北大学文学研究科研究年報/東北大学大学院文学研究科 編, 200-188, 2014 | | 2014 |
| Multicultural Shakespeare: Translation, Appropriation an d Performance L Li, Q Jiang | | |
